The unnamed mute: verse and image in the poetry of Raúl Zurita

Authors

  • Asunción Rangel Universidad de Guanajuato (México)

DOI:

https://doi.org/10.7764/ANALESLITCHI.34.08

Keywords:

Raúl Zurita, photography, poetics, stylistics, pensamiento poético

Abstract

At the end of the book titled Zurita (2011) a poem crystallizes in which the poetic thought of the Chilean comes together almost entirely. The poem is composed of twenty-two verses placed, each one, on top of twenty-two photographs - originally taken by Nicolás Piwonka - of the cliffs of the Chilean north coast. The texture, the intensity and the cadence - the sounds that the poem weaves, as well as its tonic syllables, its rhyme and crimp of verse with verse - build a poetic artifice that claims the presence of photography where “unnameable muteness arises. “ In the words of the Chilean, the essay “Poesía y nuevo mundo” from the book Son importantes las estrellas (2017), is about the “glimpse of the unsaid; of a heart without words stuck in the very center of life” (29). “The unmemorable muteness”, to which Zurita refers not only in the collection of essays, but also in his poetry, constitutes one of the most entrenched and endearing presuppositions of his poetic thought.

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Author Biography

Asunción Rangel , Universidad de Guanajuato (México)

Departamento de Letras Hispánicas, Universidad de Guanajuato 

Published

2021-05-06

How to Cite

Rangel , A. . (2021). The unnamed mute: verse and image in the poetry of Raúl Zurita. Anales De Literatura Chilena, (34), 159–170. https://doi.org/10.7764/ANALESLITCHI.34.08

Issue

Section

ARTICULOS