Demonic imaginary and ‘vanguardia’ poetics in Juan Emar´'s narrative

Authors

  • Malva Marina Vásquez Universidad Andrés Bello

Keywords:

Demonic Imaginary, ‘Vanguardia’ Poetics, Juan Emar

Abstract

In Juan Emar’s narrative the presence of a demonic imagination links the spirit of negation to a life practice of rupturing the institutional order and the author’s creative imagination. We will attempt a literary cartography of the ‘vanguardia’ artist’s conception through Cavilaciones, Papusa y Umbral: Primer Pilar, taking Miltín 1934 as the central reading axis. This demonic imagination –which in Cavilaciones is still  at a preliminary stage– is in debt with Edgar Allan Poe´s poetics, proven at the intertextual level by the existence of a common semantic matrix both in Miltín 1934 and in Poe’s El Diablo en el Campanario. This matrix condenses the sketches of a poetics of the fluidic-unexpected, which will be later developed in Umbral through the triad: Juan Emar-Narrator-Martín Quilpué.

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Published

2012-12-31

How to Cite

Vásquez, M. M. (2012). Demonic imaginary and ‘vanguardia’ poetics in Juan Emar´’s narrative. Anales De Literatura Chilena, (18), 51–70. Retrieved from https://pensamientoeducativo.uc.cl/index.php/alch/article/view/33691

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Section

ARTICULOS